Wednesday, January 28, 2026

Snowed In!

Sujata Massey



I secretly anticipated a really big storm would hit the East Coast in 2026. 

It's not that I have psychic powers. I simply enjoy almanacs and folk wisdom about nature--and I keep my eyes out.One of these American folk legends is that when the acorns abound, snow is going to be profuse. And Baltimore was certainly overwhelmed by acorns a few months ago. The explanation is that this is something called a “mast year”—an abundant seed/nut production every 2-5 years resulting in more acorns than animals can consume: meaning, more trees for all of us. Yet this mast year, we had three winter’s worth of snow in one day. And isn't a lot of snow great for baby trees?

We had a small snow a week ago as a test; light enough to shovel easily and sprinkle down the pretty bright blue crystals of pet-safe snow-melting material. Oh, for those halcyon days of having my feet on the pavement—and not mincing over snow with my abdomen braced to keep my balance! With this particular storm, I find my legs are fatigued from all the subtle adjustments and shifts from slick ice to falling into unexpected depths of snow.

Ice seems to be bad everywhere in America this winter. I saw a picture in the Atlantic's online edition of woman who looks like a younger version of me captured by ICE agents titled  Welcome To The American Winter. Freezing weather, terrible bounty hunters, a woman fallen to the ground. Images of death and abuse of power and hard weather--as well as a national uprising like we've never seen.

Minnesotans are standing up against masked men prowling the icy streets, who incidentally can’t seem to keep their balance on snow banks. Yet a huge swath of the United States, from south to the northeast, is blesedly not under mass deportation evasion, but is nonetheless flummoxed by deep layers of ice and snow ranging from eight to thirty inches. In Baltimore, I think the snowfall was as high as 18 inches, depending on how the winds blew. I plunged thigh-deep on my walk today seeking out a bank machine from which to retrieve cash to pay for a snow plow service that never showed up.

Winter Storm Fern is not my first East Coast snowstorm. I've lived here over thirty years and usually have excitement about snow forecasts. I find the groaning sound of salt trucks dumping material on the streets comforting—it goes back to my childhood in Minnesota. I also love the scraping sounds of sleds and snow shovels on the street.I gaze in admiration at Baltimore neighborhoods transforming like film sets back into the 1800s, because nothing looks more charming than an old house set in snow. 

This storm, though, has thrown my age--and weaknesses--at me. The snow is so high and so hard that I can’t shovel as I usually enjoy doing—even a week earlier, during a two-inch storm. Yes, we salted before this particular blizzard with Pet-Melt, and I did a bit of shoveling during the storm, but it wasn't enough. Tony and I decided to make life simpler and hire professionals with machinery. So far the first two snow removal companies we made advance arrangements haven’t been able to come. We are waiting on a third, fingers crossed. You really need to take are of snow yourself.

The tradition in our house is to make a pot of chilli on a snow day. I started this when our children were small. I usually threw together a vegetarian chili made from canned red beans  and tomatoes, plus lots of fresh onion, garlic and spices. I’d also bake cornbread and cookies. We’d invite one or two families who could walk over to eat and chat with us, while the snow fell. The party felt like we were getting away with something!

Now that Tony is usually works from home, he’s taken on chilli-cooking with great professionalism. He mines the internet to find the exact out-of-print Fine Cooking recipe that he knows. He appreciates chilli so much that he initially proposed making two variations—one white and one red—but I talked him into choosing his favorite and letting me make a vegetarian alternative. At this point, we both knew we had limited hours before the snow hit, and we were cooking for a crowd. He agreed to my point—as long as he could also bake a carrot cake.

Who would argue with that?

On the final non-snow day, he shopped. It meant driving thirty minutes to a John Brown, a butcher in the Baltimore County who sells especially delicious grassfed beef. Here he picked up 7 pounds of sirloin tip. Then it was returning to the city and Mom’s Organic Market for canned beans in short supply, cream cheese, carrots and currants. Then he made a short walk to Eddie’s Market in our neighborhood for the black beans that were completely sold out at Mom’s. The man was exhausted, and then he had to unpack it all and start chopping, because the chilli would be served the next day. While he played at “The Bear” in our kitchen, I made invitations on paper to all the neighbors on the block. I decided, why not ask everyone—including the folks living in apartments, who we saw coming and going but just didn’t know?

The chilli recipe was extravagant, rising to the rim of the 16-quart stockpot. And after bubbling for a few hours, it needed to chill overnight. The pot was too tall for the fridge—but one perk of bad winter weather is the outdoor refrigerator every Minnesotan knows. My twist was sliding the stockpot underneath the dining table on the deck. I then laid a tablecloth on that table so the snow didn’t fall through it and bury our highly anticipated dish.

Snow day dawned on Sunday with flakes falling fast on the diagonal. I kept on sweeping snow from the porch and shoveling the front walk and out to the street, so our guests would be able to arrive at 12:30 onward. In between I made corn muffins and laid the table for the party. We weren’t sure how many people would come, so we put out mugs to fill with the chilli, which would stay hot in a slow cooker.  My second dish was a vegetarian shepherd’s pie made on Saturday. It was simple, a layer of richly seasoned tepary beans underneath mashed potatoes. Yes we could have made a green salad, but why? It wasn’t a normal, polite sit-down lunch with china. It was a snowstorm chili party, which meant you could eat casually in any room holding your food in one hand and a spoon in the other. 

We didn’t know who or how many would come—but the result was just right. About fifteen people, many of them not known to us. Three of these millennial households brought batches of fantastic home baked cookies. There was plenty of wine and water and kombucha. 

What a party it was! Our youngest guest was ten months, and our oldest in the neighborhood of eighty. I met 10 new people, right in my own house. I realized the beauty of living in a neighborhood that mixed homeowners and renters; students, retirees and workers. It makes for a great party mix. 

We have a lot of snow, but we are so lucky not to have lost power. And luckier still to have had new friends in our house—bringing a sense of not being alone, even when marooned.

Tuesday, January 27, 2026

Sophia's lessons on Writing, Walking and how Wonderful life is

Ovidia--every other Tuesday

This is Sophia



And our carpet is rolled up because Sophia's not toilet trained (yet).

She's around six years old, but as a rescued 'breeder', she's lived most of her life in a cage having puppies. She's only now learning what grass feels like your paws and that it's safe to be in a harness.

Another big lesson was that she's allowed to move around in the house and doesn't have to stay in a box to feel safe.

Best of all, she's learning to play--three days after she arrived, she woke up frisky and bouncy and eager for her walk for the first time and it was the best moment I've had in a long time!

I knew we were getting a dog who would need a lot of care and patience. I'd not realised it would reorganise our entire life or that it would be so rewarding.

Because of a ear infection, Sophia needs her ears cleaned and medicated ear drops twice a day.
She needs dental work (when she's in better health because it'll be done under general anaesthetic).



Poor Sophia getting her ears treated. She put up a valiant fight but was outnumbered.

She'll also need to be sterilised (ditto).

She needs careful feeding and constant, gentle reassurance that this is home now and she is safe here.

What surprised me is learning that she doesn't need me to make up for her past.
I'd thought that would be the biggest part of the job--making up to her for all that humans had put her through up till now. But dogs, apparently, don't hold on to the past like people do--all Sophia needs to know is that she's safe right now, her tummy is full and her bladder empty and there will be food and exploratory walks tomorrow.



And maybe that could be enough for me too.

Since she arrived last week, my step count has gone up dramatically because of our walks. My days have acquired a new structure that feels effortless: early morning walk before my morning writing. Breakfast after ear cleaning and medication, Food prep and breakfasts all round. Sophia follows me on my rounds of watering and spraying plants, feeding and checking on the fish and Turtle Boy and because of her, I remember to take stretch and step breaks in between writing pomos instead of working right through them.

Which actually works out very well--because even with everything going on, like vet visits and pet store trips and grocery shopping, I've been keeping up with my writing quota with what feels like less effort than usual!
And I've been reading more too, maybe because I occasionally read passages out loud to her to see if she'll react (mostly she doesn't. Sometimes she yawns. But it's good for me because I'm hearing words again!)

I'm still in the rough draft phase so that's not saying much, but I feel like I'm writing like a real grown up professional writer now--I'm writing on a long leash, exploring and sniffing and scratching, but still connected to the main plotline.



That's something that's improtant for stories as well as dogs!

But it hasn't been nothing but a dog's life--a couple of days ago I got to meet up with Cathy Ace and Geoffrey for Singapore Slings at the Raffles Long Bar!



I had a wonderful time and saw with my own eyes Cathy's 'magic connection' when a research connection she'd been thinking about just walked up and presented itself... but I'll leave her to tell the story herself when the book comes out!

I could talk to Cathy for hours and normally I would have made an afternoon/ evening/ night of it. But I had to leave because I wanted to get home to Sophia. Not that I had to--she had someone with her and I'd got photos of her having her tea and going on her walk... but I wanted to get back to her.

The same way it feels when a new story starts to come to life and you want to get back to it even if you don't yet know where it's going. Or even more because you want to find out where it's going!

Sophia doesn't know any of this of course.
She just knows she is safe and part of a pack where important things (food, walks, cleaning, naps) happen on a routine in between adventures and new experiences. That creates a safe space for her to grow in.

And maybe I can approach writing that way too--not worrying about what went wrong previously or trying to get back to the dead rat on the side of the path (we're both still working on that one), but just walking on and exploring and trusting the leash for now.

Right now all is well.

And I find it nice to remember that even the Queen of Crime had a faithful writing companion who cared more about walks than deadlines.




Elizabeth Hadley's life size bronze sculpture of Agatha Christie and Peter in Torquay.

Monday, January 26, 2026

Angelico's Angels

Annamaria on Monday


 
As usual, I am writing this blog on Sunday, and it is the closing day of one of the most popular exhibitions staged in Florence in the past several years.  Who would've thunk, as a died-in-the wool New Yorker might say.  Yes, certainly, I would have expected fans of Medieval and Renaissance art would have been expected to show up in goodly numbers, but the turn out was huge compared to what the organizers most likely anticipated. I first learned about it from a glowing review last fall in the New York Times.

Beato Angelico was one of the first artists I learned about in my college art history class.  (He was Fra Angelico in those days before his beatification by Pope John Paul II in 1982.)  He never became a household word.  His fame was overwhelmed by the widespread admiration for his fellow early 15th century artists, like Michelangelo, Leonardo, etc. etc. If you click on his name above to learn more about him, you will quickly learn that he was a Dominican friar. Unlike his fellow Renaissance painters, all of his works are of religious subjects.

Today is the last day of the exhibition, and I'm so grateful that I have had the opportunity to view the works on display, here both in the Monastery of San Marco and in the galleries of Palazzo Strozzi.

Rather than a wholesale vision of the exhibition, I am giving you a particular viewpoint of the paintings. Some of the followers of this blog may recall that I am enamored of idea of angels. I am fond of quoting Kurt Vonnegut: "If there are such things as angels, I hope that they are organized along the lines of the Mafia."  Considering the state of the world these days, we need all the angels we can summon. So here they are for you today. Angels as Beato Angelico pictured them (with a few other images thrown in for good luck).

In the Monastery of San Marco 

 









 





Palazzo Strozzi 

(If my images seem a little out of whack, please forgive me. The exhibition was crowded, mostly by folks 6 to 14 inches taller than I :( ) 














Saturday, January 24, 2026

A Robert Frost Parody on America's Stormy Week in the Offing




Saturday—Jeff

As some of you may know, I’m a big fan of Robert Frost, and often turn to his work for inspiration on setting mood. This time I turned to one of his less known poems, “The Need of Being Versed in Country Things,” to explain what we out in the wilds of Northwest New Jersey and so much more of America are about to endure courtesy of Mother Nature. 

I love it out here, if only for the adventure each new day –and passing storm–can offer in the form of new challenges. At times, though, there are unexpected surprises, and they can be costly. So here’s my tale of what it means to be versed in country things...with examples of what has transpired in past storms and hopefully will not repeat in the new one headed our way this weekend. 
 

To Farm we’d gone to be again
Beneath clear skies far away from woe.
But first came ice then snow heavy on the wood
Like sugar candy glass brightly aglow.

The trees stood poised along the way,
To bear the weight or fall in shame
Should a dancing breeze add wind to the heft
To break their stiff backs and end the game.

Alas some lost and fell to their end
Most deep in woods or close by a road
But one did find to land upon our roofs
Another took down our power load.

Lines still lie that once flew through the air
And our propane supply is quite thin.
But the tree’s off the house we can sigh
Thanks to chainsaw and rope in my bin.

All this week there’s been continuing grief
Searching for fuel to keep up the fire  
Hemmed in by power lines crossing the way;
Plus down trees blocking all beyond each wire.

Yet, more was to come to make me sad.
Rejoiced when down to the farm workmen crept,
Then learned our boiler had died, poor thing.
Now heat’s back…along with great debt.

If a tree falls in the forest and you happen to be sitting....

here, you definitely hear it!
Plumbers to the rescue

The costly culprit

Ah yes, the joys of being versed in country things.

By the way, here’s Robert Frost’s original version.
 

"The Need of Being Versed in Country Things"

The house had gone to bring again
To the midnight sky a sunset glow.
Now the chimney was all of the house that stood,
Like a pistil after the petals go.

The barn opposed across the way,
That would have joined the house in flame
Had it been the will of the wind, was left
To bear forsaken the place’s name.

No more it opened with all one end
For teams that came by the stony road
To drum on the floor with scurrying hoofs
And brush the mow with the summer load.

The birds that came to it through the air
At broken windows flew out and in,
Their murmur more like the sigh we sigh
From too much dwelling on what has been.

Yet for them the lilac renewed its leaf,
And the aged elm, though touched with fire;
And the dry pump flung up an awkward arm;
And the fence post carried a strand of wire.

For them there was really nothing sad.
But though they rejoiced in the nest they kept,
One had to be versed in country things
Not to believe the phoebes wept.

—Jeff

Jeff’s Events (still in formation)

2026

All Live Events

Saturday, February 7, 3:00 p.m. CT
Murder By The Book
Author Speaking and Signing
Houston, TX

Wednesday, February 11, 6:00 p.m. ET
Mysterious Bookshop
Author Speaking and Signing
New York, NY
 

Thursday, March 26, 7:00 p.m. MT
The Poisoned Pen Bookstore
Author Speaking and Signing
Scottsdale, AZ

Friday, April 10, 6:30 p.m.
Mystery Lovers Bookshop
Author Speaking and Signing
Pittsburgh, PA









Thursday, January 22, 2026

Find My Friends: It's More than an App

It is a truth universally acknowledged, that a mystery writer in possession of a good idea, must be in want of a friend or two.” – Jane Austen, Pride and Prejudice, the first line, a little adapted. 

With the Left Coast Crime mystery conference coming up in February, author friends are beginning to make plans -- for coffee, for dinners, for co-hosting banquet tables. When I think back to the very first LCC I went to, when I hardly knew anyone, something inside my ribs goes soft. For one of the great untold secrets about being a writer is the people you meet who help you along the way.

Tonight I'm going to a friend's house to do a book club for my 2019 novel, A Trace of Deceit, about a young woman artist in London, in 1875. And I think about how this novel would have been a misinformed disaster, full of what I thought I knew about art, except that I had two artist friends, who, when I asked, generously opened their hearts and minds to me. 

Inevitably a novel comes together like a stew, with ingredients from all different shelves in the kitchen.

For this book, set in the 1870s London art and auction world, Ingredient #1 was my experience working at Christie’s auction house in New York, in the scandal-filled 1990s.  

Ingredient #2 was the true story of the Pantechnicon, a warehouse where the wealthy of London stored their art and household valuables. It burned down in February 1874, destroying millions of pounds worth of irreplaceable masterworks and antiques.

Ingredient #3 was a painting worth stealing. I chose one of FranƧois Boucher’s paintings of Madame de Pompadour, the official chief mistress of King Louis XV from 1745 to 1751. 

Ingredient #4 were the biographies of two brilliant Victorian women artists—Evelyn de Morgan (https://www.demorgan.org.uk/discover/the-de-morgans/evelyn-de-morgan/) and Kate Greenaway (https://www.societyillustrators.org/kate-greenaway)—who attended the Slade School of Art in London in the 1870s. Their experiences served as a pattern for my heroine, Annabel Rowe, a student at the Slade School in 1875. (Here, a photo of an early class.)

But for the way Annabel thinks and speaks, for the metaphors she uses, for the way she looks at her world and describes it in words, I knew I needed to find an artist with a beating heart.

Fortunately, I have two longtime friends in Phoenix who are artists. One of them, Heidi Dauphin, has been a friend and fellow hiker since she arrived in Phoenix over twenty years ago. She works primarily in handmade ceramic tile, and her public art is scattered around town, including at the Heard Museum; neighborhoods in Avondale, Goodyear, and Tempe; the Valley Metro Light Rail TPSS building at Glendale and 19th Avenue; the Pinnacle Peak Water Reservoir in Phoenix, and elsewhere. Currently the Exhibition Manager at the Shemer Art Center in Phoenix, Heidi arranges and installs all the exhibitions and select the jurors for their juried shows. Find her on instagram @heididauphin and on her website www.heididauphin.com.

My other friend, Hallie Mueller, is the head art teacher at Phoenix Country Day School. She came to Arizona when she was 21 and was captivated by the desert landscape, which inspired her expansive, vivid paintings. Some years ago, while rock climbing, she fell 60 feet off a cliff, sustaining injuries that she has recovered from, but which transformed her art and her approach to life and creativity. You can find her paintings and more information at www.halliemueller.comThese two friends guided me while I developed the character of Annabel into a living, breathing painter, with an artist’s sensibility. Most of my conversations with Heidi took place on hiking trails over many years, as I learned about her time as an undergraduate and a graduate student, how she worked in the studio, and how she developed her craft. Her reflections and insights provided the broad strokes, the underpainting of my portrait of Annabel Rowe.


















The details for that portrait came one night over a long dinner with Hallie. I still have my scribbled notes from that meeting, dated 2/25/19. I asked the basic, first question: “How does Annabel think about a painting?”

Hallie began by talking about compositional options—overlap, cropping, size variation and distance, angles, and foreshortening. She explained that there is a focal point, which is the thing that first grabs attention; then visual pathways, implied lines that you can create, for example, through repetition of a color that can lead the eye around the canvas. Shapes can function as arrows, as can the direction of the gazes of people in the picture. Where they are looking matters. (I found myself thinking … hm, this holds true in novels, too.) She walked me through oil painting, underpainting, and glazes; tightness (say, Titian) versus looseness (the Impressionists). She explained the importance of the “light source” and illumination; think of Caravaggio’s windows. And she explained that with colors, there are different degrees of saturation, and they aren’t really “fixed”; for example, browns change depending on what they are next to. Oils come in tubes; a flat brush will give you sharp edges whereas a bright brush, with the oval top, is good for blending; a round brush and fan brush will give you still different effects. As for smells? Linseed oil, which makes paint less viscous; Damar varnish, which adds gloss and enriches darks; turpentine, which weakens the integrity of paint. There was more, but this gives you an idea.

When I finished the book, there were three significant scenes where Annabel paints or reads a painting. I talked them through with Heidi and sent them to Hallie to read. I received comments from readers who wrote to me, “I’m an artist, and you got it right.”

If I got it right, it's because I got my friends. 

Writers -- have you ever collaborated in your creative work?

Wednesday, January 21, 2026

DOGS OF OVIEDO

 

Terrier on the Terrace

If you follow my Instagram account, you know I have a series, “Dogs of Oviedo.” The reason behind this is that dogs are a major part of the social fabric of Ovitense life. Dogs outnumber kids under 15 in Oviedo by a ratio of 3:2.5. Because Oviedo is a small, walking city, dogs are out walking with their humans everywhere (very unusual to see a dog in a car, like in the US), sometimes two or three dogs to one human. Often, dogs, especially the lap variety, join humans at the cafĆ© table. I've also seen strangers stop to pet their respective canines, which might also prompt the dogs to introduce themselves to each other.

Chow Chow Chariot

Various conveyances can be used to carry dogs, such as the backpack shown above or a stroller.

Of course, dogs have their favorite toys.

Pomeranian Pride


During the winter, humans dress their canines up in sharp outfits, and matching ones if there are two.

Oviedo Rain-Ready (Rat Terriers)



Here's a typically joyous Golden Retriever playing in the dog enclosure in San Francisco Park. I tell you, I have never seen so many happy dogs!



I snapped these Spanish galgos (resembling English Greyhounds but not) who could well have been on their way to a black-tie event. [By the way, "galgo" is not capitalized--Spanish rules: I didn't make them.)

Graceful galgos


You might be forgiven for mistaking this for a St.Bernard, which gentle breed the movie "Cujo" gave a bad name (less so the novel), but this is a Bernese Mountain Dog, another big, gentle canine.


Finally, a young, beautiful Dalmatian I snapped at the mall.



A small disclaimer, though. What I’m seeing in Oviedo is the good half of the story. Terrace dogs are the visible winners: cared for, groomed, and fully integrated into urban life. That skews perception. The other half exists mostly out of sight—in protectoras, in rural areas, in the long afterlife of abandoned working dogs like galgos and podencos. Oviedo may be gentler than many places, but this is a curated slice of reality, not the whole picture.

Monday, January 19, 2026

Self-expression Aide

 Annamaria on Monday

My topic today was to have been angels.  But I know that I am am going to learn more this coming week about the angels I want to introduce you to.  I didn't want to go AWOL, so I offer you a tool I have posted here before - an easy way to wax eloquent to your politically like-minded friends.  Just make up a three digit number and string together the words so chosen from these columns.  





You can use the target persons' birthday:

2.20

Or the area code of his home.

Mar-a-lago, 561


Actually, area codes work quite well for state capitals:


518

850



And even better, the number of members of legislative bodies:


Total-435
Total Republicans-211

Total Members-650


Have fun!  See ya' next week.